Go Back
Winston Mankunku Ngozi
First Name: 
Other Names: 
Last Name: 
Stage Name: 
Country: 
Born: 
D.O.D: 
Primary Language: 

Participations

4
Songwriter
Bio
Winston Mankunku Ngozi, was a prominent South African tenor saxophone player. Born as a first child into a musical family, he started playing the piano at a young age. He started playing the saxophone at a teenage age and gained famed as one of the most prominent jazz musicians of his time. Mankunku became a pioneer of the South African jazz scene and left behind a great legacy in the South African jazz community
Discography
Albums6
Crossroads
Crossroads2015 • AlbumTracks: 8
Jika
Jika2014 • albumTracks: 9
Yakhal' Inkomo
Yakhal' Inkomo2007 • albumTracks: 9
Abantwana Be Afrika
Abantwana Be Afrika2003 • albumTracks: 9
Molo Africa
Molo Africa2000 • albumTracks: 7
Dudula
Dudula1998 • AlbumTracks: 6
Label
Record Label associated with Winston Mankunku Ngozi - past and current.
    Similar Artists
    Mlungisi Gegana
    Mlungisi GeganaSouth Africa |1961| Portuguese
    MLUNGISI GEGANA born in 27th December 1961 in Queenstown, Eastern Cape. For Mlungisi Gegana recognition hasn’t come easy and the journey has been long. But born in a community of inspirational artists who have made an impact on the national and international music scene, there was never a shortage of idols for this exceptionally talented bassist. Dubbed Little Jazz Town back in the 1920s, Queenstown is the home of the late trumpeter Mongezi Feza, vocalist Stompie Mavi, singer Margaret Mcingana and the Matshikiza musical dynasty of which Todd and his nephew Pat Matshikiza are the most famous.
    Etienne Mbappe
    Etienne MbappeCameroon |1964| French
    Bassist Etienne Mbappé has a grace, tenderness, and humanity that surpasses boundaries, genres, and languages, even in the most demanding musical circumstances. He has an unwavering knack for melody and a rich, singing tone. His talents have been put to use as a sideman with Joe Zawinul, Manu Dibango, Robben Ford, Salif Keita, Ray Charles, Steps Ahead, and saxophonist Bill Evans. He has also performed with John McLaughlin's 4th Dimension and the Ringers (including Jimmy Herring, Wayne Krantz, Michael Landau, and Gary Novak). How Near How Far, Mbappé's fourth solo album and the first to concentrate on his instrumental work, is now available on DATE through Abstract Logix, giving people a chance to hear his own music.
    Mccoy Mrubata
    Mccoy MrubataSouth Africa |1959| English
    Mccoy Mrubata, is a renowned South African jazz saxophonist. He began his musical studies in the early 1970s and he focused on classical saxophone. Mccoy focused on solo works and released series of albums including "Face the music" which won the South African music award (SAMA) and he has won several awards afterwards. He has also composed music for films, television commercials and theatre as well as teaching music in South Africa. Mccoy has been praised for his lyrical solos and soulful compositions.
    Etuk Ubong
    Etuk UbongNigeria |1992| Other Nigerian
    Etuk Ubong is a Nigerian trumpeter, composer, and bandleader whose musical journey began at age 14 when he discovered the trumpet. Studying at prestigious institutions like the Peter King College of Music, Muson School of Music, and the University of Cape Town, he honed his skills. Recognized at 16 by the late highlife musician Victor Olaiya, he joined the band and went on to perform with reggae artist Buchi and Femi Kuti's Positive Force. Collaborations with South African pianist Nduduzo Makhathini and performances in London propelled Ubong into the international spotlight. His powerful and politically charged music, blending jazz and afrobeat, has earned him acclaim and a devoted following.
    Jonas Gwangwa
    Jonas GwangwaSouth Africa |1937| English
    Jonas Gwangwa (born Jonas Mosa Gwangwa) played a significant role in South African jazz history. Together with jazz pianist Abdullah Ibrahim (then known as Dollar Brand), he was a member of the Jazz Epistles, the first black South African band to release an album. Gwangwa rose to prominence as a composer. In 1997, he composed the theme music for South Africa's Olympic bid as well as scores for films such as Cry Freedom, Generations, and Othello.
    Jimmy Dludlu
    Jimmy DludluSouth Africa |1966| English
    Jimmy Dludlu, is a self-taught South African Afro-Jazz guitarist, composer, and producer. His musical journey gained momentum in the mid-1980s when he collaborated with various southern African bands. In 1991, Jimmy took a pivotal step by forming his own band, Loading Zone, cementing his presence in the music scene. The defining moment arrived with the release of his debut album, "Echoes from the Past," in 1997. The album garnered widespread acclaim and earned him two FNB SAMA Awards in 1998, recognizing his exceptional work as the "Best Newcomer" and for creating the "Best Contemporary Jazz Album." Remarkably, the album achieved remarkable commercial success, with sales exceeding 250,000 records.
    Hugh Masekela
    Hugh MasekelaSouth Africa |1939| English
    Hugh Ramapolo Masekela was a well-known South African trumpeter, singer, and composer known as "the father of South African jazz." He wrote several anti-apartheid songs and had a number-one US pop hit with "Grazing in the Grass" in 1968. Masekela left South Africa in 1960 due to the increasing brutality of the Apartheid regime and went on to collaborate with musicians from West and Central Africa. Unfortunately, he died due to health challenges.
    Zeal Onyia
    Zeal OnyiaNigeria |1934| Igbo
    Zeal Onyia was a Nigerian jazz trumpeter who significantly influenced West African highlife music. He began his musical journey alongside Bobby Benson in the 1940s and later with ET Mensah, mastering classic highlife and competing with Fela Kuti's band in the 1960s. Following a period of studying classical music in Germany during the 1970s, he returned to Lagos and recorded six remarkable tracks with the Tabansi Studio Band before founding the Rhythm Dance Band and later establishing the Zeal Band in Lagos. In addition to his musical pursuits, he also served as the program editor at the Voice of Nigeria radio.