Juju music continued to evolve over the years as performers added other instruments and developed their unique performance styles. In the mid-1950s, Juju bands began to experiment with big-band structures like Jazz Bands, as new instruments became available to music performers. Akanbi Ege Wright introduced the talking drum (gan-gan) to Juju Music, while Sunday Harbour Giant, a Kruman, added the penny-whistle flute, mouth organ, and mandolin to his ensemble. Juju Music has graduated to a full band with various musical instruments, most notably the guitar and the talking drum. The addition of new instruments birthed new performance styles and variances of juju music. When the talking drum was added, a strong relationship began to develop between proverbs/punchlines spoken or sung and speech drumming in Juju Music.

Both King Sunny Ade (KSA) and Chief Commander Ebenezer Obey are regarded as the pioneers of modern-day Juju music. King Sunny Ade started out as an apprentice with Moses Olaiya aka Baba Sala. He later broke away from the apprenticeship to form his own band. Ebenezer Obey started his career five years earlier than Sunny Ade. Sunny Ade was an apprentice with Fatai Rolling Dollar’s band before he started the International Brothers’ band, who later changed their name to Inter-Reformers. While King Sunny Ade’s music was more up-tempo, fast-paced, and made for the dance floor, Ebenezer Obey’s music was more introspective while still maintaining danceable rhythms, he called it the 'Miliki system of juju,' i.e the enjoyment music. After Bob Marley’s death, Island Records set out to raise another third-world superstar and signed King Sunny Ade. Sunny Ade went on to release a couple of albums under Island Records and gained a wide following as he was soon tagged ‘the African Bob Marley.’ While KSA was making international strides, Ebenezer Obey made a household album that catered to all the Yorubas' ceremonial events. From Weddings to birthdays, as well as naming ceremonies were not left out of his all-included project. Juju music still held its ground in the 90s with names like Dele Taiwo, Micheal Adebayo (Micho Ade), Dayo Kujore, etc. Sir Shina Peters re-strategized Juju with an even faster pace, heavier percussions, and lesser use of the guitar, and called his style Afrojuju. Although likened to King Sunny Ade’s style of Juju, Sir Shina Peters' percussion pattern was different. He released 3 albums (Ace, Shinamania, & Dancing Time) that became very successful. Juju music started receding in popularity in the 90s as Fuji music became the most prominent Yoruba music genre.