Summary

Kora music is a traditional music genre from West Africa, specifically from Senegal, Gambia, Mali, Guinea, and Guinea-Bissau. It is called after the kora, the principal instrument utilized in this genre. The kora is a stringed instrument that resembles a huge harp or lute and is essential to Kora music's tone and performance.

HistoryKora music, originating in the 18th century, traces its roots to the Mandinka people of West Africa, particularly in present-day Mali, Senegal, Guinea-Bissau, Gambia, Burkina Faso, and Guinea. The genre derives its name from the center instrument, the Kora, a harp-like instrument with a calabash body covered in cowhide, a wooden neck, and 21 strings made from durable materials like fishing lines, nylon, or silk. Its unique design divides the strings into bass (left hand) and melody (right hand). Complementing the kora are other traditional instruments like the balafon (a wooden xylophone), ngoni (a stringed lute), and the djembe drum.
Kora music was historically an oral tradition preserved by the jali (griots) of the Mandinka Empire, who were custodians of culture, history, and music. These jali combined storytelling, poetry, and music to document the empire's rich history and social values. The genre was initially confined to these traditions until French Benedictine monks in Senegal transcribed its music, opening it to a broader audience.
Legends surrounding the kora intertwine with Islamic history and folklore. One story suggests the kora's origins link to a man named Sourakata from Mecca, who became a griot through divine intervention. Another tells of a griot who, after losing his fiancée in a cave, emerged holding the first kora, mourning her absence through playing the instrument.
During the transatlantic slave trade (16th–19th centuries), Mandinka captives brought kora music to the Americas, influencing genres like jazz, rock, ragtime, and rhythm and blues. However, kora music only gained global prominence in the 1970s, thanks to pioneers like Toumani Diabate, Ali Farka Touré, Ballaké Sissoko, and Baba Maal. Sona Jobarteh, breaking traditional norms, became the first celebrated female griot and kora player. 
Kora music remains a symbol of cultural identity in West Africa, celebrated through festivals like Mali's Festival sur le Niger and Senegal's Dakar Biennale. In Mali, the kora gained prominence under President Modibo Keita, who invited Gambian kora players to join the National Instrumental Ensemble of Mali. While traditionally, kora players in Mali perform with singers, in other regions, the players also sing. Outside the jaliya (griot) tradition, both men and women now play the kora. Regional differences add unique nuances, with Gambian kora styles being distinct from Malian interpretations.
Also, the advent of recorded music has allowed kora music to transcend borders, introducing its rich tones and cultural essence to global audiences. Musicians have expanded its repertoire, creating diverse styles that showcase the instrument's versatility while honoring its heritage.
Elements 

The kora musician might organize solo concerts of Kora music to display their talents. Polyrhythms are a hallmark of West African music, including Kora music, While playing, the Kora player employs percussive methods by striking the strings with their left hand. This creates percussive sounds and increases the rhythmic intricacy of the music. Additionally, vocal accompaniment or group performances with other instruments, including percussion, may be used. Improvisation and call-and-response rhythms are frequently used in Kora music compositions.

The revered kora instrument is linked to intergenerational learning, respect for authority figures, and societal hierarchy. The kora's visual aesthetics are a reflection of the creative traditions of West Africa, and it is an important part of cultural festivities and events.

The griot or vocalist sings as the kora player offers instrumental accompaniment during a kora concert. The kora's complex melodies and rhythmic rhythms complement the vocal performance, resulting in a harmonic synthesis of the two components.

The kora player uses the instrument to play complex melodies, rhythms, and rhythmic patterns to accompany their singing or narrative. A rich and dynamic musical experience is made possible by the kora's polyphonic capabilities and resonant sound. The distinctive playing styles and structures that are unique to the kora are what define it's music

Although there are many different themes in kora music, they often revolve on praise singing, oral history and tradition, love, spirituality, and national pride.

Kora music has a rich, resonant, and lively tone. The music is amplified by the gourd resonator and animal hide soundboard, while the strings give it a brilliant and shimmering aspect.