Summary

A dance music that combines Liberian local melodies and rhythm with Calypso music. It was originated from the Kru people of Liberia.

Influences
HistoryPalm-wine music, a laid-back, guitar-driven genre, has a fascinating history rooted in the travels and interactions of the Kru seamen from Liberia. The Kru seamen—primarily from tribes like the Klao, Bassa, and Grebo—derived their name from Westerners who referred to them as members of the ship's "crew." Known for their independence, the Kru were not captured into slavery and instead worked aboard European vessels. During their voyages, they picked up portable instruments like harmonicas, accordions, and guitars brought by the Europeans.
They combined local West African melodies with influences from calypso music, brought from the Caribbean. When the Kru stopped at the Gold Coast (modern day Ghana), they mingled with the Fante people of Accra and Sekondi-Takoradi. The Fante’s seperewa (a traditional harp-lute) inspired the Kru to develop a cross-fingering guitar technique, which laid the foundation for Osibisaaba, an early genre connected to palm-wine music.
Palm-wine music gained widespread popularity in the 1920s, thanks to the influence of a Kru seaman who thought the new guitar-playing techniques to Ghanaian musician Kwame Asare. Asare and his band, the Kumasi Trio, recorded one of the earliest palm-wine music albums, Yaa Amponsah, in 1928. This song is considered a landmark in the genre, showcasing the blend of African rhythms and finger-style guitar playing.
Ebenezer Calendar & His Maringa Band popularized palm-wine music in the 1950s and 60s in Sierra Leone, introducing it to a broader audience. The genre’s infectious rhythms and easy-going melodies captured listeners across West Africa, influencing genres like highlife in Ghana and soukous in Congo
Elements 
Form and Style

Palm wine music can feature various instruments, but it traditionally consists of an acoustic guitar, just a bottle tapped with a small stick or coin. A bass instrument is commonly used to provide some contrast for the guitar, along with a small drum or tambourine to add rhythm. For example, you can have the acoustic guitar, a pair of wooden sticks (claves), a small drum, and the low‐pitched apremprensemma (A pair of goblet-shaped drums often used as a speech surrogate by several ethnic groups from Ghana). While its most distinctive feature is its guitar‐based sound, palm wine music is primarily vocal. The lead vocalist comments on a variety of subjects.

Singing Style

Palm Wine Music, is characterized by soothing timbres, featuring acoustic guitars and gentle vocals. The singing style is relaxed, conveying laid-back melodies with storytelling prowess.

Theme

Themes often revolve around everyday life, love, and cultural reflections, encapsulating the essence of the region

Culture

Palm Wine music from West Africa is profoundly shaped by the region's diverse cultures, blending indigenous rhythms, storytelling traditions, and colonial influences. Its soothing melodies and lyrical themes reflect the rich tapestry of West African heritage.

Timbre

The music's mellow timbre, created through fingerstyle guitar playing, evokes a nostalgic ambiance.

Arrangement

Palm Wine music from West Africa features laid-back beats, straightforward bars, intricate rhythmic structures, melodic guitar lines, and commonly employs 4/4 time signatures. This creates a serene and timeless sound that resonates with the cultural richness of the region, inviting audiences into a harmonious musical experience.