There's a late-night feel to her songs, and she's at her best on gently driving jazz ballads such as the harmonica-backed Ilolo, or Ndim iQhawe, Parts 1 and 2, which switches from a fine display of drifting a capella singing to a sturdy jazz-gospel work-out. --https://www.theguardian.com/music/2010/oct/14/simphiwe-dana-kulture-noir-review