Compilation Albums and Creative Ownership
![Compilation Albums and Creative Ownership](/_next/image?url=https%3A%2F%2Fd31btwpnsku5px.cloudfront.net%2F1e2c48d8aada.jpg&w=3840&q=75)
...getting an ISRC and having well-captured and fully updated metadata are non-negotiable requirements for every song. Without embedding this 12-digit code into a song before being released to the public, whether on digital platforms or CDs, the song becomes a pin in a haystack, difficult to find and the creator to get paid.
Collaboration is a great way to build strong relationships with your fellow artists and music business professionals like ARs, curators, and promoters.
Some of Akanni’s noteworthy releases were “Omo Ode De (The Hunter’s Son Arrived),” “Emperor Peter Tide,” “Botin Yewa Lati Owuro,” and “Oluwa Mi Mo Njade Lo,” among others.
Today, we are incredibly proud of what we’ve achieved. The African Music Library is now the only public library in the world offering such in-depth and extensive information on African music.
The mood of Shangaan Electro is lively, energetic, and celebratory. The fast-paced rhythms and infectious beats create a sense of joy and movement, which is reflected in the accompanying dance style...Its high-energy beats and infectious dance moves have attracted attention from music enthusiasts and critics around the world. The genre has been embraced by electronic music festivals and clubs, where DJs and producers have incorporated Shangaan Electro tracks into their sets.